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Majorstuen, Oslo

Interview with Vida Aasen

March 03, 2019

Among a number of young talents, Vida was elected to display her works in the upcoming exhibition “Animals Anonymous”, which will take place at Gallery Neuf from 5th to 10th March this year.

Interview with Jara Marken

January 15, 2019

UltraNaive is the title of Jara Marken’s exhibition at Galleri Neuf that took place in the last week of November of last year. 

Interview with Gianmarco Donaggio

November 02, 2018

Perfection is not what Gianmarco Donaggio is aiming for in his current exhibitions called Spazio at Gallery Neuf. Usually working with film, the Italian artist now wanted to explore perception and the meaning of emptiness in making his sculptures.

Interview with Maria Viirros

October 25, 2018

Maria Viirros is a Finnish artist and a third-year Bachelor student at the Oslo National Academy of Arts, KHiO. The artist exhibited last spring at Galleri Neuf with the exhibition «No Man’s Land» and the 1st of November she is preparing for a new duo exhibition at Galleri Seilduken.

Medlemsutstilling 2018

October 25, 2018

Denne høsten fant Galleri Neufs aller første medlemsutstilling sted. Utstillingen bestod av 20 verk produsert av seks forskjellige kunstner-medlemmer. Uten et avgrenset tema, men med fokus på kunstnernes egne uttrykk, ble fotografi, maleri og tegning presentert i galleriets splitter nye lokaler på Chateau Neuf. Her er en liten introduksjon til de forskjellige deltakerne.

BLAFF

September 20, 2018

21. september åpnet Emma Lomell, Mathias Emil Ugedal Riis og Eivind Kristiansen et pop-up-galleri i de nedlagte arkitekttegnede toalettene på Stortinget T-banestasjon. Som unge kunstnere, uten kunstutdanning, lager de en egen plattform for å stille ut og selge arbeidene sine.

Sara Angelica Spilling, móðir jörð

January 01, 2020

Det startet med et ønske om å komme seg bort, men utviklet seg etterhvert til et større prosjekt. En reise til Island, uten reisepartner og plan, ble grunnlaget for Sara Angelica Spillings personlige prosjekt “móðir jörð”.

We’re sitting on one of the wide window frames in the exhibition room of Galleri Neuf. I’ve lowered the sound from one of Enrique Roura’s installations: a wooden box hanging from the ceiling with speakers attached to it. Two people are supposed to be standing underneath it, being unwillingly close to each other listening to the sound.

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